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				<title><![CDATA[AUTOBSCURA  - Inessa Ruzh (Latest images)]]></title>
				<link>https://autobscura.site</link>
				<atom:link href="https://autobscura.site/index.php?albumname=Our roles as creators, artists and knowledge keepers/Inessa-Ruzh&amp;lang=tr&amp;rss=gallery" rel="self"	type="application/rss+xml" />
				<description><![CDATA[Autobscura paves a journey from the traces of artists’ hands to algorithmic whispers where creative gestures meet digital currents, and human touch dissolves into data’s gaze. Through bringing to the forefront voices often absent, the pavilion becomes both mirror and lens, reflecting how intelligence, artificial or otherwise, dreams into being the stories that make us.
]]></description>
				<language>en-US</language>
				<pubDate>Fri, 17 Apr 2026 00:01:59 +0200</pubDate>
				<lastBuildDate>Fri, 17 Apr 2026 00:01:59 +0200</lastBuildDate>
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										<item>
							<title><![CDATA[Voice (Inessa Ruzh)]]></title>
							<link>https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;image=Voice_InessaRuzh.jpg</link>
							<description><![CDATA[<a title="Voice in Inessa Ruzh" href="https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&image=Voice_InessaRuzh.jpg"><img src="https://autobscura.site/zp-core/i.php?a=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;i=Voice_InessaRuzh.jpg&amp;s=240&amp;cw=0&amp;ch=0&amp;q=75&amp;t=1&amp;wmk=%21&amp;check=b93c36cf691a4b85397077f0bf0cba7fe5bd81af" alt="Voice" /></a><p><b>Caretaking the Invisible: Data Motanka</b></p>
<p></em>Data Motanka</em> is a digital art series reflecting on care, memory, and visibility in algorithm-driven culture. It consists of one central illustration and five symbolic portraits of traditional Slavic textile dolls (motanka) reimagined as carriers of encoded, feminine, and culturally embedded knowledge.</p>

<p>Each doll embodies a different aspect of digital entanglement: archiving, voice, neural logic, ritual connection, and ecological memory. Their embroidered aprons bear visual metaphors for microchips, waves, neural networks, or planetary code, merging soft textile traditions with the visual language of computation. Surrounding patterns subtly weave in Old Slavic scripts, evoking suppressed languages and erased knowledge systems.</p>

<p>Created as digital art (no AI), the series questions algorithmic authorship while thematically engaging with AI’s impact on cultural narratives. It reclaims ancestral visual codes as a feminist resistance to erasure and asking: what do we lose when machines decide what should be visible?</p>

<p>By centering women’s roles as unseen caretakers of both life and data, <em>Data Motanka</em> imagines a world where technology is not extractive, but reciprocal, where stories are not sorted, but honored.</p><br />Date: 21 October 2025]]></description>
															<category><![CDATA[Inessa Ruzh]]></category>
															<guid>https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;image=Voice_InessaRuzh.jpg</guid>
							<pubDate>Thu, 01 Jan 1970 01:00:00 +0100</pubDate>
						</item>
												<item>
							<title><![CDATA[Ritual (Inessa Ruzh)]]></title>
							<link>https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;image=Ritual_InessaRuzh.jpg</link>
							<description><![CDATA[<a title="Ritual in Inessa Ruzh" href="https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&image=Ritual_InessaRuzh.jpg"><img src="https://autobscura.site/zp-core/i.php?a=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;i=Ritual_InessaRuzh.jpg&amp;s=240&amp;cw=0&amp;ch=0&amp;q=75&amp;t=1&amp;wmk=%21&amp;check=b93c36cf691a4b85397077f0bf0cba7fe5bd81af" alt="Ritual" /></a><p><b>Caretaking the Invisible: Data Motanka</b></p>
<p></em>Data Motanka</em> is a digital art series reflecting on care, memory, and visibility in algorithm-driven culture. It consists of one central illustration and five symbolic portraits of traditional Slavic textile dolls (motanka) reimagined as carriers of encoded, feminine, and culturally embedded knowledge.</p>

<p>Each doll embodies a different aspect of digital entanglement: archiving, voice, neural logic, ritual connection, and ecological memory. Their embroidered aprons bear visual metaphors for microchips, waves, neural networks, or planetary code, merging soft textile traditions with the visual language of computation. Surrounding patterns subtly weave in Old Slavic scripts, evoking suppressed languages and erased knowledge systems.</p>

<p>Created as digital art (no AI), the series questions algorithmic authorship while thematically engaging with AI’s impact on cultural narratives. It reclaims ancestral visual codes as a feminist resistance to erasure and asking: what do we lose when machines decide what should be visible?</p>

<p>By centering women’s roles as unseen caretakers of both life and data, <em>Data Motanka</em> imagines a world where technology is not extractive, but reciprocal, where stories are not sorted, but honored.</p><br />Date: 21 October 2025]]></description>
															<category><![CDATA[Inessa Ruzh]]></category>
															<guid>https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;image=Ritual_InessaRuzh.jpg</guid>
							<pubDate>Thu, 01 Jan 1970 01:00:00 +0100</pubDate>
						</item>
												<item>
							<title><![CDATA[Network (Inessa Ruzh)]]></title>
							<link>https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;image=Network_InessaRuzh.jpg</link>
							<description><![CDATA[<a title="Network in Inessa Ruzh" href="https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&image=Network_InessaRuzh.jpg"><img src="https://autobscura.site/zp-core/i.php?a=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;i=Network_InessaRuzh.jpg&amp;s=240&amp;cw=0&amp;ch=0&amp;q=75&amp;t=1&amp;wmk=%21&amp;check=b93c36cf691a4b85397077f0bf0cba7fe5bd81af" alt="Network" /></a><p><b>Caretaking the Invisible: Data Motanka</b></p>
<p></em>Data Motanka</em> is a digital art series reflecting on care, memory, and visibility in algorithm-driven culture. It consists of one central illustration and five symbolic portraits of traditional Slavic textile dolls (motanka) reimagined as carriers of encoded, feminine, and culturally embedded knowledge.</p>

<p>Each doll embodies a different aspect of digital entanglement: archiving, voice, neural logic, ritual connection, and ecological memory. Their embroidered aprons bear visual metaphors for microchips, waves, neural networks, or planetary code, merging soft textile traditions with the visual language of computation. Surrounding patterns subtly weave in Old Slavic scripts, evoking suppressed languages and erased knowledge systems.</p>

<p>Created as digital art (no AI), the series questions algorithmic authorship while thematically engaging with AI’s impact on cultural narratives. It reclaims ancestral visual codes as a feminist resistance to erasure and asking: what do we lose when machines decide what should be visible?</p>

<p>By centering women’s roles as unseen caretakers of both life and data, <em>Data Motanka</em> imagines a world where technology is not extractive, but reciprocal, where stories are not sorted, but honored.</p><br />Date: 21 October 2025]]></description>
															<category><![CDATA[Inessa Ruzh]]></category>
															<guid>https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;image=Network_InessaRuzh.jpg</guid>
							<pubDate>Tue, 21 Oct 2025 19:22:12 +0200</pubDate>
						</item>
												<item>
							<title><![CDATA[Nature (Inessa Ruzh)]]></title>
							<link>https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;image=Nature_InessaRuzh.jpg</link>
							<description><![CDATA[<a title="Nature in Inessa Ruzh" href="https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&image=Nature_InessaRuzh.jpg"><img src="https://autobscura.site/zp-core/i.php?a=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;i=Nature_InessaRuzh.jpg&amp;s=240&amp;cw=0&amp;ch=0&amp;q=75&amp;t=1&amp;wmk=%21&amp;check=b93c36cf691a4b85397077f0bf0cba7fe5bd81af" alt="Nature" /></a><p><b>Caretaking the Invisible: Data Motanka</b></p>
<p></em>Data Motanka</em> is a digital art series reflecting on care, memory, and visibility in algorithm-driven culture. It consists of one central illustration and five symbolic portraits of traditional Slavic textile dolls (motanka) reimagined as carriers of encoded, feminine, and culturally embedded knowledge.</p>

<p>Each doll embodies a different aspect of digital entanglement: archiving, voice, neural logic, ritual connection, and ecological memory. Their embroidered aprons bear visual metaphors for microchips, waves, neural networks, or planetary code, merging soft textile traditions with the visual language of computation. Surrounding patterns subtly weave in Old Slavic scripts, evoking suppressed languages and erased knowledge systems.</p>

<p>Created as digital art (no AI), the series questions algorithmic authorship while thematically engaging with AI’s impact on cultural narratives. It reclaims ancestral visual codes as a feminist resistance to erasure and asking: what do we lose when machines decide what should be visible?</p>

<p>By centering women’s roles as unseen caretakers of both life and data, <em>Data Motanka</em> imagines a world where technology is not extractive, but reciprocal, where stories are not sorted, but honored.</p><br />Date: 21 October 2025]]></description>
															<category><![CDATA[Inessa Ruzh]]></category>
															<guid>https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;image=Nature_InessaRuzh.jpg</guid>
							<pubDate>Thu, 01 Jan 1970 01:00:00 +0100</pubDate>
						</item>
												<item>
							<title><![CDATA[Main (Inessa Ruzh)]]></title>
							<link>https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;image=Main_InessaRuzh.jpg</link>
							<description><![CDATA[<a title="Main in Inessa Ruzh" href="https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&image=Main_InessaRuzh.jpg"><img src="https://autobscura.site/zp-core/i.php?a=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;i=Main_InessaRuzh.jpg&amp;s=240&amp;cw=0&amp;ch=0&amp;q=75&amp;t=1&amp;wmk=%21&amp;check=b93c36cf691a4b85397077f0bf0cba7fe5bd81af" alt="Main" /></a><p><b>Caretaking the Invisible: Data Motanka</b></p>
<p></em>Data Motanka</em> is a digital art series reflecting on care, memory, and visibility in algorithm-driven culture. It consists of one central illustration and five symbolic portraits of traditional Slavic textile dolls (motanka) reimagined as carriers of encoded, feminine, and culturally embedded knowledge.</p>

<p>Each doll embodies a different aspect of digital entanglement: archiving, voice, neural logic, ritual connection, and ecological memory. Their embroidered aprons bear visual metaphors for microchips, waves, neural networks, or planetary code, merging soft textile traditions with the visual language of computation. Surrounding patterns subtly weave in Old Slavic scripts, evoking suppressed languages and erased knowledge systems.</p>

<p>Created as digital art (no AI), the series questions algorithmic authorship while thematically engaging with AI’s impact on cultural narratives. It reclaims ancestral visual codes as a feminist resistance to erasure and asking: what do we lose when machines decide what should be visible?</p>

<p>By centering women’s roles as unseen caretakers of both life and data, <em>Data Motanka</em> imagines a world where technology is not extractive, but reciprocal, where stories are not sorted, but honored.</p><br />Date: 21 October 2025]]></description>
															<category><![CDATA[Inessa Ruzh]]></category>
															<guid>https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;image=Main_InessaRuzh.jpg</guid>
							<pubDate>Thu, 01 Jan 1970 01:00:00 +0100</pubDate>
						</item>
												<item>
							<title><![CDATA[Archivarius (Inessa Ruzh)]]></title>
							<link>https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;image=Archivarius_InessaRuzh.jpg</link>
							<description><![CDATA[<a title="Archivarius in Inessa Ruzh" href="https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&image=Archivarius_InessaRuzh.jpg"><img src="https://autobscura.site/zp-core/i.php?a=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;i=Archivarius_InessaRuzh.jpg&amp;s=240&amp;cw=0&amp;ch=0&amp;q=75&amp;t=1&amp;wmk=%21&amp;check=b93c36cf691a4b85397077f0bf0cba7fe5bd81af" alt="Archivarius" /></a><p><b>Caretaking the Invisible: Data Motanka</b></p>
<p></em>Data Motanka</em> is a digital art series reflecting on care, memory, and visibility in algorithm-driven culture. It consists of one central illustration and five symbolic portraits of traditional Slavic textile dolls (motanka) reimagined as carriers of encoded, feminine, and culturally embedded knowledge.</p>

<p>Each doll embodies a different aspect of digital entanglement: archiving, voice, neural logic, ritual connection, and ecological memory. Their embroidered aprons bear visual metaphors for microchips, waves, neural networks, or planetary code, merging soft textile traditions with the visual language of computation. Surrounding patterns subtly weave in Old Slavic scripts, evoking suppressed languages and erased knowledge systems.</p>

<p>Created as digital art (no AI), the series questions algorithmic authorship while thematically engaging with AI’s impact on cultural narratives. It reclaims ancestral visual codes as a feminist resistance to erasure and asking: what do we lose when machines decide what should be visible?</p>

<p>By centering women’s roles as unseen caretakers of both life and data, <em>Data Motanka</em> imagines a world where technology is not extractive, but reciprocal, where stories are not sorted, but honored.</p><br />Date: 21 October 2025]]></description>
															<category><![CDATA[Inessa Ruzh]]></category>
															<guid>https://autobscura.site/index.php?album=Our%20roles%20as%20creators%2C%20artists%20and%20knowledge%20keepers/Inessa-Ruzh&amp;image=Archivarius_InessaRuzh.jpg</guid>
							<pubDate>Thu, 01 Jan 1970 01:00:00 +0100</pubDate>
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